New Grime Mix

grime volume 2

I’ve done a new grime mix 🙂

I’m putting it up for solstice, this is great midsummer music.

Grime Volume 2 Mixed By Grievous Angel

It’s here:

It’ll be up on my increasingly active Soundcloud page as well soon. Should be going out as a podcast on iTunes too (if that’s working yet).


Wiley Kat: Frostbite. Wiley Kat Records 2003

DJ Charmzy: Roller Coaster. Black Ops 2004

Youngstar: BongCat. DDJs Productions 2004

Jammer / Neckle Camp: Drive By. Neckle Records 2006

Slew Dem / Jammer: We Ain’t Got Time. Neckle Records 2006

Wiley: Eskiboy Remix. Southside Records 2006


Big$hot: Glitch. Southside Recordings 2003

Ruff Sqwad / Dirty Danger: RSMD Instrumental. No Hats No Hoods 2008

Dirty Danger / Ruff Sqwad: RSMD Vocal

Rossi B & Luca Feat. NASTY: Run For Cover. White 2005

Slew Dem / Spooky: Da Firing Range. Slew Dem Productions 2005

Wiley feat Jookie Mundo: I Got Lyrics. Southside Records 2006

Danny Weed: Kick Off. Dump Valve Recordings 2006

Rossi B and Luca: Nobody Knows. Heavy Artillery 2007

Slew Dem Feat Wiley, Skepta, Chronik & Esko: Bumbaclart Badman. Slew Dem Productions 2007

Starfox: Jumanji. Slimzos Recordings 2004

Slew Dem feat Angry , Chronik, Murkleman, Sickman , Skepta: Relay. Slew Dem Productions 2007

It’s a 46 minute, 105Mb 320.


New grime mix


I love grime but I haven’t done that many grime mixes. I suppose the biggest one so far is the Grime in the Dancehall mix I did with John Eden for blogariddims. That was back in 2008 and not long after, I did this mix… and then never sent it to anyone other than John. I always thought it was alright but could’ve been just a bit better. Anyway, I’ve gone back to it and it sounds fine TBH so I’m happy to put it up, especially since I’ve got a few more grime mixes I want to get into. I mean, I still haven’t put up a mix with my favourite grime instrumental – in fact my favourite electronic record of all time – Big$hot’s Glitch. Trust me, that tune destroys the dance every time.

So this is a mix of mostly mid- to late-period grime, some instrumentals and some vocal cuts, with an emphasis on banging percussive FOWARD-ness. It’s only half an hour and I can’t remember what all the tunes are but they’re all good. I think you’ll like it.

It’s here:


Starfox: Jumanji / 2004

Slew Dem inst’l / 2007

Skepta, Wiley & Esco: Bumbaclart Badman / 2007

JME: Raptor / 2007

Crazy Titch: I’m Like You’re Like / ?

Tinchy Stryder – ft Chipmunk: Sorry U Are / 2008

Stage Show Riddim / 2008

Wiley: Fly Boy / 2008

Mark One: Amazon / 2002


Wiley: Carnival / ?


New mix of MC GARAGE!

I wanted to do a mix of rough as fuck MC-driven garage… the stuff that flowed from UK fast chat and US hiphop and eventually filtered into grime in 2002. And here it is – a new year’s present for you.

It is here.



Digital Dubz: Sound of Da Police Refix 1999

Busta Rhymes: Dangerous (Garage refix) 1999

Corrupted Cru feat. MC Neat: G.A.R.A.G.E. 1998

The Corrupted Crew: How Much Gal? 2000

DJ Luck and MC Neat: A Little Bit of Luck (DJ Luck and Shy Cookie Remix) 1999

Tasty Jay and Nicky Nai Feat MC Jenksy: Rinse Out 2000

Teebone, Sparks & Ki: Fly Bi 1999

Jameson: This One (Club Mix) 2000

DJ Chubbstarr & A Fernandes Feat MC Preshus: RInse Out 1999

Headtop: The Don Donna 1999

Uncouth Youth & MC Dee: Steppin’ Up 2000

Headtop: The Don Donna – Dub Mix 1999

Recorded 23/10/2010. All vinyl, two takes. 107Mb 320.

Next up is a grime mix… a really banging percussive one.

Blogariddims Terminus

Droid’s a bad man.

That’s pretty much all you need to know, but let me expand.

I don’t believe  in the great man theory of history, or the great man theory of management for that matter, but it is a fact that key people are nodes in the network and make cultural life happen. Sarah at Tempa is the classic example, tirelessly promoting a multiplicity if post-ardkore scenes. I had the privelege of bigging her up in person at the wonderful Beyond night a couple of weeks back. And it is no exaggeration to speak of Droid in the same breath. He is a man who links the dancehall diaspora with European electronica, arthouse with rough house, and text with sound.There are few like him and it has been a wonderful experience working with him on Woofah. Similarly, it has been a wonderful experience working with him on the Blogariddims series. Where else can you find such a high-quality series of podcasts that are both diverse yet connected, constantly stimulating yet not falling into the trap of mere electicism? Almost nowhere – there’s been nothing like it, and a vast reservoir of musical inspiration has been opened up by the series.

Now, after a monumental 50 episodes, the series is coming to an end, and it’s a special edition with contributions from a load of the regulars.

There’s a delightful circle-jerk across all the contributors going on; our predecessor is Paul Autonomic, John’s is up here (I’ve no idea what he’s going to write about, probably denounce the whole project!), while our successor is Leeds reggae supremo Matt B. Naturally me and John decided to do a Woofah-style instrumental grime mix. It’s only short – obviously – but pretty heavy, with the main cut being Big$shot’s massive Glitch, which is, this week, my favourite record of all time! The other guys are going to have to work hard to drop anything better!

Anyway. Big up droid. Droid’s a bad man!

New mix – Social Circles Bizzle

I’ve been caning old 2003-era Social Circles gear recently. I just can’t enough of it – that moment when garage had turned grimey but wasn’t quite grime, was feeding into what would become dubstep, and was utterly banging and incredibly danceable. Following the brilliant 2step revival that we’ve seen this year I would really like people to make more in this style. It’s bloody hard to do though.

Anyway this mix is nice and short at 25 minutes and is all decks, no Live and no FX, and though I say so myself it’s fucking great music. Give it a go.



Sticky – Who Are You (2004)
Sticky – Boom Shell (2003)
Mr Fidget – Fidgestrumental (2003)
Simon Sez – Shut Your Mouth (2003)
Donae’o – My Philosophy (Bounce) (2003)
Sticky – Ganjaman (2002)
Sticky Feat. Viper* – I’m On The Mic (2003)
Maxwell D – Serious (Jameson Remix) (2001)
Sticky Feat. Viper* – I’m On The Mic (Instrumental) (2003)

Soon come: a techno-y dubstep mix (when I can work out what the track listing is!), a Devotional Dubz special (for on the wire… if they get themselves sorted out, otherwise I’ll just stick it up!!), another garage mix, a VIP Grievous Angel mix for Electronic Explorations (delivered), a mix for the Boomnoise and Pokes show (delivered), a grime mix (was nearly done… then I got a load of new records) and probably a Narrows style 4×4 mix cos I’m using those tunes to teach my seven year old how to mix :). Plus a couple of very, very special ones I can’t talk about…

Blogariddims 40: John Eden & Grievous Angel present grime in the dancehall

Me and John doing a 74 minute special for OUR FINAL EVER BLOGARIDDIMS. THERE WILL BE NO MORE FROM US! Unless someone drops out and droid needs someone to fill in rapidly. But yeah. Blogariddims is coming to an end and after a fair few bashes at the rss feeder, this is our last one. 

You can also download the mp3 and all previous episodes (which you should do, definitely) direct from or via itunes music store.

Details of how to subscribe to Blogariddims

Direct link to the mp3

John has already posted a magnificent overview of this so I shan’t try and cover the temporal reality of the mix too much. So lets talk method first of all. John kicked it off with a rough live mix of everything he wanted in there. We cogitated on that, reflecting on what selections to make, and threw it away. He then did another recording session where he captured most of the tunes from the first mix, many of them in an unmixed fashion but with a load of mixing as well. I sifted through these CDs and stacked up the material in an iTunes playlist, made copious notes on what I wanted to do with them and what order to do them in, added a load more stuff to fit with what he’d done, and made a new final playlist. this left out a help of good stuff. I then dumped everything into Live, deleted most of his mixing (the mixes that made the grade were excellent though) and started looking at blends. That was when the magic started to happen – seeing how the material would form itself into something fresh. This was a pretty fast mix to do; I think I finished it in a month, even though there were some new techniques this time, like proper dj-style crossfder abuse within Live, as well as live sirens and FX. There’s a lot more performance in this one, which is a good thing, even though there’s a few sends that should’ve been edited out. 

00:00 Introduction
00:26 Neckle Camp feat. Jammer, Rinse FM
01:02 Turbulence acapella
02:06 Turbulence – Notorious (THC Muzik 7”) 2005
02:40 Trim & Radioclit – Turbulence remix (from Soulfood vol 1) 2007

I love this whole intro section and though I say so myself, I’m delighted with how the Jammer loop combined with the Turbulence acapella. Having the Jammer radio excerpts really lifted the mix and I’m grateful to John for providing them. There’s a definite tip of the hat to Prancehall here too!

06:45 Richie Spice – Marijuana (from Spice In Your Life 2004)
08:25 Jammer – Burning (from Are You Dumb vol 2) 2007

A heavily edited Richie Spice leads into Jammer riding Coki’s riddim – the only reference to dubstep on the whole mix, and of course it’s pretty grimey dubstep. A bit of a step back in energy from the loud arrivial, too.

10:45 Bob Marley and the Wailers – So Much Trouble in the World (from Survival, 1979)
14:05 Mercston – Trouble (from Da End of Da Beginning) 2006
16:31 Skepta – Blood, Sweat and Tears (from Greatest Hits) 2007

Magnificent! Too many trendy white boys slag off Marley. Whatever the critique of Marley in JA as dancehall took over the lawns, it was a generally a critique founded in love for the man and his music, rather than a wish to appear more trendy than thou. This is of course a fantastic tune and I had to be physically restrained from including the live version from Babylon By Bus as well. I love the extra fx on this too. It merges perfectly into Mercston, whose version is appealingly pitched down. Nice flow into Skepta’s fine conscious grime tune. 

19:32 All In One – Flows (from Bless Beats – A Hard Days Graft) 2008
21:14 Frisco – Skeng Man Mode (from Peng Food) 2008
23:24 Slix – Maniac (from Down vol 1) 2006

Into a couple of tunes that really powerfully express the “grime as 21st century dancehall” thesis, a gloriously transcendent riddim that draws out all manner of lyrical invention. And then Maniac’s fantastic skanking riddim, exploited to the full by Slix. Marvellous

26:12 Neckle Camp feat Jammer, Rinse FM

Jammer on his own, ancient take on foundational digi riddims – tempting to add more Sleng Teng from both dubstep and 80s Fast Chat, but John hates the Cotti version and we’ve done Fast Chat already, so we just rejoice in this awesome bit of radio that leads us perfectly into a couple of classic crossover bashment tracks, the first being the Joyride riddim. This is actually at 100 bpm, so rather than go all gabba om your ass there’s some tempo track editing here. It’s a banger isn’t it? The original set of sides went on rather long so there’s some vicious editing here. Naturally the women stomp all over the homophobic toss of the men. They’re John’s records so fuck it, I don’t care, I just cut ’em up.

27:39 Baby Cham & Mister Easy – Funny Man (Mad House 7”) 1996
28:53 Lady Saw – Sycamore Tree (Mad House 7”) 1996
30:01 Frisco Kid – Rubbers (Mad House 7”) 1996
31:05 Buju Banton – How It Ago Go (Mad House 7”) 1996
32:08 Tanya Stephens – Yuh Nuh Ready Fi Dis Yet (Mad House 7”) 1996
33:37 Slew Dem – Joyride Vocal (Slewdem Productions 12”) 2005

And then the Pum Pum riddim. Doogz AND Harry Toddler AND Flow Dan on one riddim? That’s it. Game over. Grime IS bashment. 

35:13 Dutty Doogz – Pum Pum Stealer (Night Flight 12”) 2003
36:35 Harry Toddler – Good Good (Night Flight 12”) 2003
36:49 Flow Dan – Galist (Night Flight 12”) 2003
37:16 Jamaka Bi – Zoom 4 Pum (Night Flight 12”) 2003

But Buss It Up is just something else. I rejigged the whole mix to make room for it. This utterly overwhelming slice of super-sophisticated grimey dancehall devastation is mind blowing. Totally amazing. Kano can release as many duff hiphop CDs as he wants as far as I’m concerned – this record truly is one of the great achievements of western civilisation. Love the loooooong mix from Pum Pum.

39:15 Kano and Vybz Kartel – Buss It Up (679 7”) 2006

And after another nifty radio slot from Jammer, we’re into the glory that is the One In Ten riddim. When ub40 gets reversioned by other reggae acts, the (often all too real) quality in the original comes shining through. Loads of tweaky edits in the mix into Rossi B and Luca, which itself filters seamlessly into Ini Kimoze, and the scorched earth power of NASTY Crew. This is a “good bit”, my favourite part of the whole mix. 

43:16 Neckle Camp feat. Jammer, Rinse FM
44:01 Yami Bolo – Top Shotta (Black Diamonds 7”) 2002
45:48 Junior Reid – Rise Up (Black Diamonds 7”) 2002
46:32 Half Pint – Bounce (Black Diamonds 7”) 2002
47:37 Lukie D – One In Ten (Black Diamonds 7”) 2002
49:12 Rossi B and Luka – Nobody Knows (from The Legacy EP, Heavy Artillery 12”) 2007
51:29 Ini Kamoze – World a Reggae Music (from Sly and Robbie’s Taxi Sound, Auralux LP) 1984
53:03 Rossi B and Luka – Run 4 Cover instrumental (12” white label) 2005
53:48 Rossi B and Luka feat. Nasty Crew – Run 4 Cover (12” white label) 2005

Anyway. Yes. Ice Rink. Only in dub. With fuckloads of sirens. And some hot cutting. Ain’t bad really is it? 

56:45 Neckle Camp feat. Jammer, Rinse FM
57:13 Breeze – Ice Rink (Wiley Kat 12”) 2003
59:16 Tinchy Stryder – Ice Rink (Wiley Kat 12”) 2003
60:36 Kano – Ice Rink (Wiley Kat 12”) 2003
63:56 Riko – Ice Rink (Wiley Kat 12”) 2003

And then to the iconic male star of reggae and his extremely wise decision to show off a gentler side in the most spare production imaginable. Dripping with raw emotion, it’s the perfect foil for Jammer’s nervous matey-ness, before Rhianna comes in to give them both a right kicking. Superb voice. And how tempted was I to download the funky house refix? Not enough to inflict it on John!

65:58 Sizzla – Give Me A Try (from Rise to the Occasion) 2003
67:18 Jammer – Give Me a Try (from Are You Dumb vol 2) 2006
71:04 Sizzla Vs Rhianna – Give Me A Try (remix) 2007

That’s it. Our last bloggariddims. End of an era really. Fab to do another mix with John. Thanks to droid for keeping it moving.

Massive new night

Prancehall and Hanna’s new night
This is the new night from PRANCEHALL tomorrow – Thursday 17th April, Visions Video Bar, Dalston: “Next Thursday is the start of my new night with Hanna who does the House Party events.”

What a wicked line up!

Grievous Angel Presents Dubstep Sufferah Volume 3

Dubstep Sufferah 3

The idea behind the Dubstep Sufferah series was that while dubstep is fantastic when it’s mixed live and hyped up, there’s still scope for mixes that are coherent, long-form pieces of music, in the manner of house or techno mixes. For Volume 3, I was originally going to do an all-vinyl mix, but it wasn’t really unique enough, and then Paul Autonomic said he wanted to hear some of the unreleased stuff that I have, so I went in another direction. Simultaneously there was an explosion of creativity in grime, and I found that loads of it actually went really well with dubstep. So Dubstep Sufferah 3 turned into a dubstep versus grime cross over mix, while also showing how dubstep doesn’t have to be this narcoleptic, mordant trough of despondency that some people are trying to turn it into.

This mix has already gone out to a bunch of people over email and well over two hundred people have got it – it seems to be going down fairly well.

It’s now up as a fairly heavy 180Mb LAME-encoded 320K mp3. I didn’t bother to zip it this time – you know the score, download it by right clicking (PC) or ctrl-clicking (Mac) on the link, don’t play it in your browser. If it gets caned I may have to put up a more light-weight version. You can get it here

Dubstep Sufferah Volume 3

00:00 Narcossist: No Love (CDR)
03:36: Caspa: Homesick (CDR)
04:24 DQ1: Gud Money (CDR – forthcoming on Tectonic)
05:24 Kano: Mr Me Too (Kano Mixtape)
10:43 Side 9000: Dhun (CDR)
13:42 MASSIVE MUSIC: Find My Way (Kode 9 remix) (Hyperdub)
16:52 TimeBlind: Copy Copy
18:31 Roll Deep: Celebrate (Rules and Regulations CD)
21:28 DJ JSL: Coyote Dub (CDR) / Slew Dem: Bumbaclaat Badman
23:19 Monochrome: Mine a Kill Dem (CDR)
26:44 Narcossist: White Lotus (CDR) / Scare Dem Crew Featuring L.G., Pointer, Ears, Lassy, Scotty D., Muscles, J.P. & Flamin’: Take Off
30:18 Skream: Make Me (Tempa) / Timbaland & Magoo: Get Crunk / JME: Deadout / Caspa : LFO King (CDR)
33:36 Cloaks: Dark (Version) (CDR) / Kano & Jammer: Tapout (Jah Mek The World The Classics Mixtape)
37:40 Komonazmuk: Fear (CDR) / Roll Deep: Babylon Burners (Rules and Regulations CD)
40:55 Coki: Tortured (Tempa) / Ruff Sqwad: Down (Gun an Roses Mixtape)
43:44 Cloaks: Too On Top (CDR) / Trim: But I Still (Soul food mixtape)
47:17 Loefah: Voodoo (666) / Lord Finesse: Check the Method (DJ Premier Scratch Mix)
52:20 Loefah: Natural Charge (Grievous Angel Edit) (CDR)
56:40 Loefah: Disko Rekah (Deep Medi) / Cluekid & Cotti: Sensi Dub (White)
59:41 Cluekid & Cotti: Flashback (White) / Ruff Sqwad: When Itz On (Guns and Roses Mixtape)
63:07: Skream: Losing Control (Grievous Angel Edit) (Tempa)/ Trim: In the Ghetto (Soul Food Volume 1 Mixtape)
65:28 Grievous Angel: Culture Killer (CDR) / Trim: Wot Part One (Soul Food Volume 1 Mixtape) / JME: 96 Bars of JME
70:39 TRG Vs Selector DubU: Losing Marbles (CDR)
73:37 Kode9: Magnetic City (Hyperdub)
78:33 ENDS

Now, let me tell you a little bit about each of the tracks…

00:00 Narcossist: No Love
A very, very fresh, very hot new track – Joe only finished it a week or so before putting this mix up – and it’s a lovely bit of bleepy rolling dubstep. More at – Joe has loads of dubz…
03.36 Caspa: Homesick (CDR)
Dunno when or if this is coming out. I really like Caspa when he’s in more reflective mood, and I’ve dubbed this heavily too.

04:24 DQ1: Gud Money (forthcoming on Tectonic)
I’ve had this for absolutely ages. Really top notch dub, almost as good as wear the Crown, be interesting how it sounds after Pinch has had it mastered.

05:24 Kano: Mr Me Too
One of the standout tracks from the Kano mixtape – minimal heaviness, screwed and chopped a bit. Bit of a “statement” track which I’ve used to signify that this is more than just another dubstep mix – this is a mix that brings dubstep and grime back together.

10:43 Side 9000: Dhun (CDR)

A rarity from Czech producer DJ Side, which came out on mp3 over a year ago – I thought it was one of DJ JSL’s lost classics but it’s my memory playing tricks with me. It’s certainly good enough to be one of JSL’s – yes, it’s THAT good. It’s a corking bit of Indo-dub. Lots more over at

13:20 MASSIVE MUSIC: Find My Way (Kode 9 remix) (Hyperdub)
is this the first Kode track to feature his new trade mark, Augustus Pablo-style melodica? I don’t know but this remix (has anyone heard the original?) is wonderful.

16:52 TimeBlind: Copy Copy
From a flawed EP, but this is Enochian, glitchy, hermetic dubstep at is best. Surprisingly popular too, no wonder it got a repress, and it’s the perfect foil to…

18:31 Roll Deep: Celebrate (Rules and Regulations CD)
This is where we stop lolling around in a dubby fug and start jumpin around the room. SUCH a huge party tune.

21:28 DJ JSL: Coyote Dub (CDR) / Slew Dem: Bumbaclaat Badman
JSL is going to be a MASSIVE producer one day if he carries on pumping out huge, eminently danceable and listenable tunes like this. Slew Dem go over the top fantastically well. More over at here.

23:19 Monochrome: Mine a Kill Dem (CDR)
And the utterly wonderful Monochrome slide in there really well too. Monochrome is Tom Churchill’s new dubstep outfit who have a HEAP of fantastic tunes, I nearly put them all on here and probably should have. Tom if you don’t know him is an absolute don in deep techno and house circles with his Emoticon imprint and is also a serious broken beat man too. Get a fabulous mix by Tom of most of his work as Monochrome here.

26:44 Narcossist: White Lotus (CDR) / Scare Dem Crew: Take Off (Fresh Breath of Ears mixtape)
One of Joe’s best tunes from last year (and there were a few!) gets ripped to shreds under the onslaught of the highly gifted Scare Dem Crew. More taut bouncy grime set in counterpoint to heavyweight dub. I love this bit…

30:18 Skream: Make Me / Timbaland & Magoo: Get Crunk / JME: Deadout / Caspa : LFO King
Yeah, some serious mixology on this one. Bassline swaps between Skream’s Make Me and Caspa’s unreleased LFO King, which I still think will be a huge tune. Total LFO-frenzy sickness. Plus JME and Timbaland over the top. Not a bad little cut up. But it’s merely a warm up for…

33:36 Cloaks: Dark (Version) / Kano & Jammer: Tapout
Oh my god, how good are Cloaks? We at DustScience got to know them through techno wunderkind Derailleur, who’s done some releases with us, and Cloaks are mates of his. Vast rhythmic invention and overwhelming industrial soundscaping go just perfectly with Kano and Jammer’s unbelievably paranoid riffing. Total heaviosity, I just love this. Turn it up!

37:40 Komonazmuk: Fear (CDR) / Roll Deep: Babylon Burners (Rules and Regulations Mixtape)
And the dread vibes get ratched up significantly by Komonazmuk, who is one of the very, very few refugees from drum’n’bass to really get dubstep in my opinion. Part of the HENCH crew, he’s got form, having had a string of releases on Moving Shadow, Tech Itch, Hard Leaders and his own imprint Ice Minus Recordings. This tune goes just great with Roll Deep’s yardie flow special, here cut up to fit. Another great moment, especially the way it flows into…

40:55 Coki: Tortured /Ruff Sqwad: Down
Every grime MC’s favourite dubstep tune to toast over, so it had to be Roll Deep to start, and a Ruff Sqwad classic to finish! Some great jazz intervals with the combination and one hell of a climax, the mix just goes on and on, with Cloaks bassline gettin more and more syncopated as it goes on, Trim’s string riff glidin over the top… mental

43:44 Cloaks: Too On Top (CDR) / Trim: But I Still (Soul Food Volume 1 mixtape)
Yes yes yes! More metallic, grinding industrial funk from Cloaks – it just sends me into spasms every time I hear it! MASSIVE swing when you lay Trim on top too. This is a good bit.

47:17 Loefah: Voodoo (666) / Lord Finesse: Check the Method (DJ Premier Scratch Mix)
Voodoo was a bit of disappointment when it came out (should it have come out?) but it’s full power comes out in combination with an MC. And, well, it wouldn’t have been right to combine Loefah with grime, not when it’s just soooooooo tempting to layer his beloved hip-hop over it. I had a bit of a Premier fixation at the start of the year and just fell in love with this tune, which was on an early Premier mixtape. I’m always telling Loe he’s the DJ Premier of dubstep so the combo was made and I really like it.

51:07 Loefah: Natural Charge (Grievous Angel Edit) (CDR)
Surely this will come out some time? (Assuming he’s finished it!) I’ve had this a long time, over a year, and it goes just great with Lord Finesse. I really stretched it out though – that one note 808 bass drop is just addictive.

54:24 Loefah: Disko Rekah (Deep Medi) / Cluekid & Cotti: Sensi Dub
This mix was going to be mostly vinyl mixing until Paul Nomos / Autonomic persuaded me he really wanted to hear some of the unreleased stuff in a computerised mix, and what he say goes, so the vinyl mix will have to wait for a bit. This is the only bit that survived – it’s just got a few bits of the Disko Rekah CDR in there. Some intense EQ refixing going on here. There’s a whole story about Disko Rekah and how it ended up on Deep Medi but this isn’t the time to tell it!

59:41 Cluekid & Cotti: Flashback (White) / Ruff Sqwad: When Itz On (Guns and Roses Mixtape)
Banging acid mentalism from CLueKid and Cotti here, going a long way from the dancehall refixing they’re famous for, and it’s just mental! Cuts into and out of Ruff Sqwad’s classic

63:07: Skream: Losing Control (Edit) / Trim: In the Ghetto
Yet more acid mentalism, this time from Skream! I cut this up so much, I love it, it’s so banging, we’re heading deep into acid techno territory but with wobble bass and Trim whispering in your ear and fucking with your head. Pogo-tastic – anyone who thinks dubstep is all slovenly monging should hear this.

65:28 Grievous Angel: Culture Killer (CDR) / Trim: Wot Part One / JME: 96 Bars of JME
Probably my favourite of my own tunes, here massively pitched up so its ragga techno rhythms are utterly pounding, working neatly round Trim’s bleeps. But this track takes on a whole other aspect when JME comes in. This is the peak of the mix. There’s so much space in JME’s tune you think it’s just laid back but it there’s intense deep funk going on and that intensity really comes out when you put it over something uptempo.

70:39 TRG Vs Selector DubU: Losing Marbles (CDR)
Another incredibly fresh tune – it was only finished a few days before closing out the mix. It’s ragga techno but a lot deeper than my stuff, easing the heaviness down a bit.

73:37 Kode9: Magnetic City
And now the long drift down into silence. The Nine’s utterly spellbinding melodica journey kills it every time and here it is dubbed to fuck. Includes the ghostly presence of Flow Dan drifting through the background, from Loefah’s remix of The Bug’s Jah War, bringing the MC presence in the mix to a natural conclusion.

78:33 ENDS

Trim: Soul Food

I don’t know about you but I think there’s a huge grime renaissance going on right now. Alex Bk Bk has moved over to grime from dubstep almost completely and as you may have noticed, John Eden has been blasting it (a few years too late, but I always told him he’d get into it eventually!). Key to this are the Roll Deep CD Rules and Regulations (which you MUST have by now surely, it’s amazing) and Trim’s Soul Food volume one mix tape. It’s taken me a while to get into it but it’s a real grower and his laid back, spooky yet comic delivery is utterly captivating. There are a good seven or eight tracks that are just brilliant – even though I don’t like the skits and the tributes much, and even though the tracks could often be longer, there’s loads of deep tunes on here. Liar, Liar, In the Ghetto, Wot, and But I Still are just superb.