Category: Turntables

Dave Stelfox is one of, if not the, most important reggae writers in Britain. It’s a privilege just knowing him: he’s a force for good in the world. But it’s an honour of significant proportions to be asked to contribute to the radio show he is running on the wonderful Resonance FM. This is the second show we’ve done and it’s a fun thing to do! A lot of people have askd for an mp3 of the show and while I don’t have that (yet – I’m hoping to host as many of the shows as I can, for a while at least) I do have a good mp3 of the original file. The details are below…

Originally broadcast on Resonance FM on 19-04-2006

Selection and Mix by John Eden
Edits and FX by Paul Meme

0:00: YT: England Story (White)
0:45: Maxi priest: Sensimilla (White)
2:23: Papa Levi: Mi God Mi King (Taxi)
5:07: Tippa Irie and Daddy Colonel: Jus a Speak (UK Bubblers)
6:14: Daddy Rusty: No No Way (UK Bubblers)
7:08: Daddy Sandy: Riddle Bubble (UK Bubblers)
8:10: Asher Senator: The Original Car Style (Fashion)
11:03: Tippa Irie: It’s Good to Have the Feeling You’re the Best (UK Bubblers)
14:00: Leslie Lyric: Blind Date (UK Bubblers)
16:28: Smiley Culture: Cockney Translation (Fashion)
18:17: Papa Levi: Bonnie & Clyde (Island)
21:23: Asher Senator: Fast Style Origination (Fashion)
25.00: Ends

Email grievousangelsoundsystem@yahoo.co.uk for a link. Some invites have gone out already.

The next BASH will be sweet and low and heavy and you’re gonna love it, for it is a women’s reggae special. I will be there again with full crew and I just KNOW that you will want to join me, for the DJs are:

The Bug featuring the magnificent NICOLETTE! Aaaaaaaannnnnddd… Warrior Queen!! Together! Plus further MCs TBC…

Plus we have… from OneExtra, drum’n’bass supremo DJ Flight dropping what promises to be a killer Dub/Dancehall set!

Aaaaaaannnd… by special request – your friend and mine, the woman who brought the heavy steppers sound to Radio One and exported the vibe around the world, we have the legendary… MARY ANNE HOBBS!!!

Plus, we have the big man himself, the best producer on the planet, the BASS SCIENTIST, the dancehall don: LOEFAH!!!! This time dropping, for the first time ever outside of SE25, an utterly irresistable, red hot, never-to-be-repeated, LOVER’S ROCK SET!!!!!!!! Loefah’s opening so reach early or miss out!

It’s the ultimate summer-lovin’ BELTANE BASHMENT BASH and if you are on the East Side on that Thursday you will NEED to be there. Come nice y’selves up. Herewith, the blurb from the Bug…

“To celebrate the joys of Spring, the ladies are hitting Bash… Massive Attack’s collaborator/Shut Up & Dance artist Nicolette joins forces with The Bug and Warrior Queen.

Drum & Bass heroine/Radio 1 xtra regular DJ Flight trades her jungle in for dancehall and Radio One’s Breezeblock pioneer Mary Anne Hobbs are providing the pressure at Bash on April 27th. And with Dubstep warrior Loefah dropping bass heavy lovers tunes for the opening set, the night promises to be large.”

“Rephlex records ragga renegade The Bug has joined forces with Loefah from dubstep bass dons Digital Mystikz to promote a new night at
Plastic People. ‘Bash’ will be aimed directly at dancehall partyseekers fiending for the latest bashment rhythms, classic ragga, deep dubstep, heavyweight dub and reggaefied hip hop. Nerds, trainspotters and the moody boys need not apply, as residents, guests and host MCs resolutely set out to ensure the bass will put a smile upon your face.”

“Thursday 27rd April (And the last Thursday of every month) BASH At Plastic People. (Presented by The Bug & Loefah). Policy : Bashment, Dub, Ragga, Rockers, Roots, Lovers, Soca… 10-2AM. £5/Conc..”

BASH is rapidly turning into one of the best reggae nights in London and as a complement to the pure love-fire of the DMZ nights it’s essential.

Kode9 / Space Ape: Backward
More downbeat dub with anthemic plinking synth hooks. Not as good as Kingstown but fabulous nevertheless. Space Ape reasoning in particularly good form. 9 Samurai you should know — that familiar “Test Dept does Prokofiev” Soviet horn figure with really rather bouncy filtered breaks and a lovely near-square-wave descending bassline. Really, really good and shows again that Kode 9 is taking dubstep back into grime and then onto something else entirely. A record you really will still be listening to in five years time — get on with the LP please Steve, I want to listen to a whole record from you!

Scuba: Harpoon / Dream
Paul Rose delivers a very fine slice of spacey, rich yet discordant tekky halfstep. Got that whole Drexciya ting going on but at half speed. I very much doubt that the rumours of this being the final Scuba are true; I certainly hope not cos this is very cool. Again, when’s the Hotflush CD compo coming?

DJ Distance: One on One
I passed on this first time and probably will again — it’s good but just a bit too banging for no reason. I want a summer of dubstep soul. Call me an old fart.

Virus Syndicate: Ready to Learn
That “ready for love” helium sample turned into a crunchingly grrovy bit of grime-step. Cracking record from just over the Snake Pass. Trim, Jammer, Ears and Fallacy (who?) voice the remix flip, ‘Major List MC’s’, which is more discordant but equally hooky. Great record.

Well, look, yes, I know you can’t download it RIGHT NOW, but you’ll need your copy as soon as the server is back up. Go on. www.riddim.ca. It’s not hard! Maybe barefiles will have it before May. I don’t know. Just use your loaf.

It’s brilliant, of course. The grime / dubstep mix from last year was, as you know, literally inspirational. The new one lacks vocal pressure — less grime — but it kicks like a mule. The re-edits are absolutely breath-taking. Seriously. It’s fairly obviou that my mix and his mix are close bedfellows.

BTW, Dubstep Sufferah is going to be up at Barefiles soon, but feel free to drop by here and get a link from me if you want a link.

When I was a kid, most of the music I listened to related to the twin poles of industrial and dub, and to this day these two musics are important to me. Industrial is now more of a historical interest, whereas reggae is still essential.) That’s why I like dubstep so much; it’s the near-perfect mix of industrial sonics and abrasion with dub’s space and sweetness. In fact I was going to do a full-on ritual mix of industrial and dubstep, but when I got into it, i really didn’t need to; dubstep has more than enough noise on its own. Hence the title of this mix: Dubstep Sufferah. In Jamaica in the mid-70s, Sufferah’s music was the term for deep roots reggae; personally I think a lot of that dread vibe is embodied in dubstep. It’s also partly a rhetorical or ideological device: I want dubstep to retain its reggae foundation and not turn into techno-ish boys music. Rather I want it to reflect industrial’s menstrual masculinity.

Now, it’s a fact that there simply aren’t enough dubstep records in the world (though there are a load coming out this Spring). A consequence of this fact is that many of the mixes you hear from non-name DJs tend to have a lot of tracks in common — an issue I have tried to address by dubbing the mix to the max and editing most of the tunes. Paul Autonomic’s first grime and dubstep mix from last year was a big inspiration of this approach, though as regular listeners will know, I’ve been ploughing my own digital mix furrow for some years now. And yes, this is an all-Live, all edits, no live mixing package; there are now many, many extremely good live vinyl mixes available, especially from Rinse sessions from Youngsta and Kode 9, plus a number from Joe Nice, so I think that angle is adequately catered for. I’m interested in producing mixes that let me listen to this music in all its widescreen, sumptuous, highly effected glory and for me, this one just about hits the spot. Dubstep Sufferah is made up of three parts: 20 minutes of slowly evolving, deeply dubbed classics, which build up to some roughneck breakbeats’n’noise, before slowly winding down into honeyed, dark, ambience. This mix might be merely a selection of the key tunes from the last year, albeit with as many top-notch ’06 cuts as I could lay my hands on, but I think it still sounds pretty fresh.

Particular stand-out tracks for me are…

Mood Dub: biggest ear worm of the last six months.

Loefah & Skream’s 28 G — TUUUUNE!

Skream’s I — feel the bass. One note is all you need. Better than Request Line?

Lightning — the Skream track that re-embedded Amenz in the dubstep end of the ardkore continuum

Vex’d’s Lion — best-est, banging-est breakbeat track of the last five years. Ancient tune too — came out in 04.

Vex’d remix of Toasty’s The Knowledge — the classic “747 taking off” trick re-done fo dubstep. The biggest noise you will hear all year. And Search and Destroy have one of the best group names ever.

Loefah’s mix of Candy Floss — TUUUUUUUUUUUUUUUUNNNNNNNNNNEEEEEEE! Love it love it love it…

Random Trio’s Indian Stomp. Absolutely gorgeous. I wasn’t too sure about the minimal down-step sound at first but when you add Indian samples to the mix it just works so well. I would’ve killed for a copy of Dusk & Blackdown’s forthcoming “Lata” to complete the effect but it’s not out for a few more weeks and, you know, I’m just not important enough to get plates or CDs! I really want to have a whole new sub-genre of near-ambient, Indian-tinged dubstep (possibly with a side order of country soul samples…) — the dubstep version of “gyal tunes”. I suppose most of you hate the idea!

Anti-War Dub — just a fantastic, deep, groovy steepers record. Tempted to mix it in with house. You think at first there’s not enough happening to make that relentless 4×4 beat work, but there’s HEAPS of melody here. Great record. should be on the radio (beyond Mary Anne Hobbes). Won’t be.

Dusk & Blackdown — yes I know I’m only using it as a backdrop to Anti-War dub, but this record hints at future greatness.
Kingstown — yup, still the most emotional (and political) record in dubstep. Fantastic piece of work and I thoroughly enjoyed chopping it about. We’re all proud of you Steve!

As before, in a bid to stop leach sites destroying my bandwidth (and get a chance to say Hi! to the people who download our mixes), this mix is only available through email. Just drop me a line at grievousangelsoundsystem@yahoo.co.uk to get the URL of the mix. It’s a 191K MP3 encoded with LAME which weighs 103Mb. Be warned though: the bass on these tunes is DEEP and the mix might sound a bit odd if your speakers / headphones don’t go down very far…

EDIT: Tracklistings are in the “lyrics” field — works on iTunes on a Mac, dunno if it works in anythin else.

Thank you to the (fairly large) numbers of people who have already go in touch with me for your support, and for not revealing mix URLs on message boards.

Dubstep Sufferah mix tracklisting

1. 0.00. Coki (Digital Mystikz) – Mood Dub (DMZ DMZ004)
2. 4.14. Digital Mystikz – Jah Fire (DMZ DMZ002)
3. 6.19. Skream – Traitor (Ital ITAL 001)
4. 9.07. Loefah – Horror Show (DMZ DMZ002)
5. 12.12. Loefah & Skream – 28G (Tectonic TEC003)
6. 17.08. Loefah – The Goatstare (DMZ DMZ006)
7. 19.48. Skream – I (Tempa 0.14)
8. 21.39. Digital Mystikz – 10 Dread Commandments (DMZ DMZ002)
9. 25.15. Loefah – Twisup (Youngsta and Task remix) (DMZ DMZ003)
10. 28.19. Skream – Lightning (Tempa 016)
11. 31.43. Vex’d – Lion (Subtext SUB002)
12. 34.31. Pressure Feat Warrior Queen – Money Honey (Vocal Version) (Hyperdub HDB002)
13. 36:50. Vex’d – Angels (from Planet Mu LP Degenerate
14. 48.43. Toasty – The Knowledge (Vex’d Remix) (Hotflush HFRMX001)
15. 44.27. Boxcutter – Brood (Hotflush HF010)
16. 39:23. Search & Destroy – Candy Floss (Loefah Remix) (Hotflush HFRMX001)
17: 53:39 Skream / Dizzee Rascal – Midnight Request Line (Grievous Angel Vocal Edit) (Tempa 0.14)
18. 56:34. Loefah & Skream – Fearless (Tectonic TEC003)
19. 1:01.19 Random Trio – Indian Stomp (Cyrus EP Tectonic TEC004)
20. 1:03:21 Digital Mystikz – Anti War Dub (DMZ 007)
21. 1:08:03. Dusk & Blackdown – Drenched (Keysound Recordings IDN001)
22. 1:09:51. Kode 9 & The Space Ape – Kingstown (Vocal Mix) (Hyperdub HYP003)
23. 1:14:30. Eschaton
Ends 1:15:23

No time to do label scans — been meaning to do this post for days already…

But… the remix double-header on Hotflush is FAB. Vex’d’s remix of Toasty’s The Knowledge Loefah’s mix of Search And Destroy’s Candyfloss (I got caught out by the labels being transposed on my pressing!) is LUSH as you like. Gorgeous halfsteppin’ bassline wobbler. Meanwhile Loefah’s mix of Search And Destroy’s Candyfloss Vex’d’s remix of Toasty’s The Knowledge is simply the biggest noise you will hear all year, for all the world sounding like Swans do dubstep (now THERE’S an idea for a boot! Soon come — Shards Fragments and Totems’ competition for best suggestion of a Swans track to remix…). Probably the best record of the year so far.

D1’s Degrees is, well, the one we’ve been waiting for since Youngsta’ sets on Rinse in May last year. Great Blade Runner-esque synth washes and corruscating bass. Yes he’ll probably turn into the Photek of dubstep, and probably very soon, but in the mean time can he PLEASE just bang ’em out?

Skream’s Skreamism is, well, reviewed somewhat late here, but y’know, I’ve been working. And I was surprised by just how good these tunes are in the mix. Yes Hag comes a bit too close to Marcus Warp’s pet peeve of dubstep becoming second-rate digidub, but the rest is fab. The untitled one and Smiley Face are good beyond belief while Lightning is that “Amen-break dubstep” tune you’ve all been reading about, and it’s terriffic. Well worth your eight quid and the packaging is gorgeous — did N Type really do that illo? Cool!

And… DMZ 007. Digital Mystikz. Anti War Dub. You just KNOW it’s going to be magnificent, but this is special. Loefah might be my favourite dubstep producer, but Digital Mystikz are my favourite dubstep GROUP. Mala and Coki enlist Spen G to create dubstep’s second most emotional tune, and it’s deceptively simple and melodically direct, while the steppers’ blueprint is adapted to near-techno formalism and represents a new departure for dubstep. (Since you’re asking, Kode 9’s Kingstown is the most emotional dubstep tune yet made; Dusk & Blackdown’s Lata will be the third.)

It sounds better every time you hear it and (whisper it) there’s some politics in there. Makes a nice change. Buy it while you can.