Archive for April, 2008

Blogariddims 40: John Eden & Grievous Angel present grime in the dancehall

Me and John doing a 74 minute special for OUR FINAL EVER BLOGARIDDIMS. THERE WILL BE NO MORE FROM US! Unless someone drops out and droid needs someone to fill in rapidly. But yeah. Blogariddims is coming to an end and after a fair few bashes at the rss feeder, this is our last one. 

You can also download the mp3 and all previous episodes (which you should do, definitely) direct fromhttp://feeds.feedburner.com/blogariddims/ or via itunes music store.

Details of how to subscribe to Blogariddims

Direct link to the mp3

John has already posted a magnificent overview of this so I shan’t try and cover the temporal reality of the mix too much. So lets talk method first of all. John kicked it off with a rough live mix of everything he wanted in there. We cogitated on that, reflecting on what selections to make, and threw it away. He then did another recording session where he captured most of the tunes from the first mix, many of them in an unmixed fashion but with a load of mixing as well. I sifted through these CDs and stacked up the material in an iTunes playlist, made copious notes on what I wanted to do with them and what order to do them in, added a load more stuff to fit with what he’d done, and made a new final playlist. this left out a help of good stuff. I then dumped everything into Live, deleted most of his mixing (the mixes that made the grade were excellent though) and started looking at blends. That was when the magic started to happen – seeing how the material would form itself into something fresh. This was a pretty fast mix to do; I think I finished it in a month, even though there were some new techniques this time, like proper dj-style crossfder abuse within Live, as well as live sirens and FX. There’s a lot more performance in this one, which is a good thing, even though there’s a few sends that should’ve been edited out. 

00:00 Introduction
00:26 Neckle Camp feat. Jammer, Rinse FM
01:02 Turbulence acapella
02:06 Turbulence – Notorious (THC Muzik 7”) 2005
02:40 Trim & Radioclit – Turbulence remix (from Soulfood vol 1) 2007

I love this whole intro section and though I say so myself, I’m delighted with how the Jammer loop combined with the Turbulence acapella. Having the Jammer radio excerpts really lifted the mix and I’m grateful to John for providing them. There’s a definite tip of the hat to Prancehall here too!

06:45 Richie Spice – Marijuana (from Spice In Your Life 2004)
08:25 Jammer – Burning (from Are You Dumb vol 2) 2007

A heavily edited Richie Spice leads into Jammer riding Coki’s riddim – the only reference to dubstep on the whole mix, and of course it’s pretty grimey dubstep. A bit of a step back in energy from the loud arrivial, too.

10:45 Bob Marley and the Wailers – So Much Trouble in the World (from Survival, 1979)
14:05 Mercston – Trouble (from Da End of Da Beginning) 2006
16:31 Skepta – Blood, Sweat and Tears (from Greatest Hits) 2007

Magnificent! Too many trendy white boys slag off Marley. Whatever the critique of Marley in JA as dancehall took over the lawns, it was a generally a critique founded in love for the man and his music, rather than a wish to appear more trendy than thou. This is of course a fantastic tune and I had to be physically restrained from including the live version from Babylon By Bus as well. I love the extra fx on this too. It merges perfectly into Mercston, whose version is appealingly pitched down. Nice flow into Skepta’s fine conscious grime tune. 

19:32 All In One – Flows (from Bless Beats – A Hard Days Graft) 2008
21:14 Frisco – Skeng Man Mode (from Peng Food) 2008
23:24 Slix – Maniac (from Down vol 1) 2006

Into a couple of tunes that really powerfully express the “grime as 21st century dancehall” thesis, a gloriously transcendent riddim that draws out all manner of lyrical invention. And then Maniac’s fantastic skanking riddim, exploited to the full by Slix. Marvellous

26:12 Neckle Camp feat Jammer, Rinse FM

Jammer on his own, ancient take on foundational digi riddims – tempting to add more Sleng Teng from both dubstep and 80s Fast Chat, but John hates the Cotti version and we’ve done Fast Chat already, so we just rejoice in this awesome bit of radio that leads us perfectly into a couple of classic crossover bashment tracks, the first being the Joyride riddim. This is actually at 100 bpm, so rather than go all gabba om your ass there’s some tempo track editing here. It’s a banger isn’t it? The original set of sides went on rather long so there’s some vicious editing here. Naturally the women stomp all over the homophobic toss of the men. They’re John’s records so fuck it, I don’t care, I just cut ‘em up.

27:39 Baby Cham & Mister Easy – Funny Man (Mad House 7”) 1996
28:53 Lady Saw – Sycamore Tree (Mad House 7”) 1996
30:01 Frisco Kid – Rubbers (Mad House 7”) 1996
31:05 Buju Banton – How It Ago Go (Mad House 7”) 1996
32:08 Tanya Stephens – Yuh Nuh Ready Fi Dis Yet (Mad House 7”) 1996
33:37 Slew Dem – Joyride Vocal (Slewdem Productions 12”) 2005

And then the Pum Pum riddim. Doogz AND Harry Toddler AND Flow Dan on one riddim? That’s it. Game over. Grime IS bashment. 

35:13 Dutty Doogz – Pum Pum Stealer (Night Flight 12”) 2003
36:35 Harry Toddler – Good Good (Night Flight 12”) 2003
36:49 Flow Dan – Galist (Night Flight 12”) 2003
37:16 Jamaka Bi – Zoom 4 Pum (Night Flight 12”) 2003

But Buss It Up is just something else. I rejigged the whole mix to make room for it. This utterly overwhelming slice of super-sophisticated grimey dancehall devastation is mind blowing. Totally amazing. Kano can release as many duff hiphop CDs as he wants as far as I’m concerned – this record truly is one of the great achievements of western civilisation. Love the loooooong mix from Pum Pum.

39:15 Kano and Vybz Kartel – Buss It Up (679 7”) 2006

And after another nifty radio slot from Jammer, we’re into the glory that is the One In Ten riddim. When ub40 gets reversioned by other reggae acts, the (often all too real) quality in the original comes shining through. Loads of tweaky edits in the mix into Rossi B and Luca, which itself filters seamlessly into Ini Kimoze, and the scorched earth power of NASTY Crew. This is a “good bit”, my favourite part of the whole mix. 

43:16 Neckle Camp feat. Jammer, Rinse FM
44:01 Yami Bolo – Top Shotta (Black Diamonds 7”) 2002
45:48 Junior Reid – Rise Up (Black Diamonds 7”) 2002
46:32 Half Pint – Bounce (Black Diamonds 7”) 2002
47:37 Lukie D – One In Ten (Black Diamonds 7”) 2002
49:12 Rossi B and Luka – Nobody Knows (from The Legacy EP, Heavy Artillery 12”) 2007
51:29 Ini Kamoze – World a Reggae Music (from Sly and Robbie’s Taxi Sound, Auralux LP) 1984
53:03 Rossi B and Luka – Run 4 Cover instrumental (12” white label) 2005
53:48 Rossi B and Luka feat. Nasty Crew – Run 4 Cover (12” white label) 2005

Anyway. Yes. Ice Rink. Only in dub. With fuckloads of sirens. And some hot cutting. Ain’t bad really is it? 

56:45 Neckle Camp feat. Jammer, Rinse FM
57:13 Breeze – Ice Rink (Wiley Kat 12”) 2003
59:16 Tinchy Stryder – Ice Rink (Wiley Kat 12”) 2003
60:36 Kano – Ice Rink (Wiley Kat 12”) 2003
63:56 Riko – Ice Rink (Wiley Kat 12”) 2003

And then to the iconic male star of reggae and his extremely wise decision to show off a gentler side in the most spare production imaginable. Dripping with raw emotion, it’s the perfect foil for Jammer’s nervous matey-ness, before Rhianna comes in to give them both a right kicking. Superb voice. And how tempted was I to download the funky house refix? Not enough to inflict it on John!

65:58 Sizzla – Give Me A Try (from Rise to the Occasion) 2003
67:18 Jammer – Give Me a Try (from Are You Dumb vol 2) 2006
71:04 Sizzla Vs Rhianna – Give Me A Try (remix) 2007

That’s it. Our last bloggariddims. End of an era really. Fab to do another mix with John. Thanks to droid for keeping it moving.

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Jahtari back again

This is one of the great virtues of dubstep – bringing back quality digidub…

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Iron river 3

This is a pic of the iron river yesterday morning. Brighter than ever!

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FWD>> Friday 25th April

Silencer???

Mmmmm, Oneman vs Braiden…

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appleblim rinse podcast

An admirably experimental and boundary pushing prerecrded mix, this. The traces of reggae and (especially) r’n'b in the first hour were most welcome. And it was a very creative selection of leftfield dubstep from the likes of shackleton, peveralist and t++ in the second hour. La Pev’s circling (iirc) really hit the spot and it lifted from there.
But I do wonder if all that glitchy nuskool dubstep isn’t just reinventing idm.
Note however that shack live is devestating – really muscular and funky, banging even.
.

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Ach!

This blogging by email thing (actually mobile blogging…) isn’t really working is it? I shall have to fix it!

It works on blogger… where you can email photos in too… why it doesn’t work on wordpress I don’t know…

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worries in the dance remix

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Breeze

First night of the year that’s warm enough to have the breeze from the valley flowing into the room.

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Rubi Dan spitting Culture Killer, Difficult Fun, Hackney 07-08-2007

Rubi Dan spitting Culture Killer, Difficult Fun, Hackney 07-08-2007, originally uploaded by grievousangelsoundsystem.

Not many pix from the session came out, which is a shame, plus I was kinda busy at the time, but this is Rubi doing Culture Killer. He smacked it!

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Yorkshire Sculpture Park 23-09-2007

This pi inspired some tunes…

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Sunset at Kemple End Lancashire Yule 2007

love this pic

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The Roxy, 2007



The Roxy, 2007, originally uploaded by grievousangelsoundsystem.

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It was a game of two halves Brian



MC Flow Dan from Roll Deep, originally uploaded by BBC Sport.

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Hold tight, part 2

Devotional Dubz - introductory materialDevotionalDubz“a very interesting although (at first glance) bewildering website” according to elgato. :)  No explanations… but not too long to wait now…  

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IMMIGRANTZ 3



IMMIGRANTZ 3, originally uploaded by infinite.

Big up… want immigrant for Woofah 4… (was supposed to be 2 but we dropped the ball a bit)… wicked releases!

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Dannage



Dannage, originally uploaded by infinite.

Ah bless no 2!

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DEAPOH



DEAPOH, originally uploaded by infinite.

Ah bless!

Any excuse to blog a georgie pic…

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Radio Scarecrow gets top review in DJ Mag



DJ Mag, originally uploaded by dust_science.

While I’m on a scarecrow tip… wicked write up for it at DJ mag. Great to see tBD getting some recognition for their stuff!

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The Black Dog’s Radio Scarecrow – on vinyl



Radio Scarecrow Screen Print, originally uploaded by dust_science.

Martin was boxing up the vinyl versions of the Black Dog’s BRILLIANT new album Radio Scarecrow earlier this week. That’s right – it turns out there’s a vinyl pressing of it too!!! Not many though – if you haven’t purchased already you are probably out of luck. I think mine is reserved… :) some of those tracks are VERY mixable.

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Movado’s wild new Barack tune

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Massive new night

Prancehall and Hanna’s new night
This is the new night from PRANCEHALL tomorrow – Thursday 17th April, Visions Video Bar, Dalston: “Next Thursday is the start of my new night with Hanna who does the House Party events.”

What a wicked line up!

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History is made at night: Night Haunts

History is made at night: Night Haunts
‘Prayer is the true language of the night. It is the sound of London’s heart beating. The sound of individuals walking alone in the dark’.

Neil Transpontine in fine form reviewing “Night haunts: a journey through the London Night” by Sukhdev Sandhu…

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Bass Science at the Big Chill House on Thursday

Bass Science are playing a rare London gig – they’re based based in Tokyo and LA so don’t come to London much. Worth a look in because they make really excellent heavy dub electronics. Check out their myspace page.

London is Free: Flomotion Live – Little Dragon And Bass Science
Bass Science are Tokyo-based MattB (RaNDom) and LA-based Steve Nalepa who specialise in low end , deep pocket rhythms, crunchy distortion, glitchy mouth percussion, blips, bleeps and a heavy dose of dub delay!

The event is taking place on Thursday April 17th from 7pm to 1am.

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Dave Stelfox on White Reggae in the Guardian

Gwaan Dave!

The problem with white reggae has always been that reggae depends for its force on its context: the rich rock insider’s take on I Shot the Sheriff can never really capture the intensity of a song about struggling for freedom and killing a policeman. Then there’s the perpetually thorny issue of white performers co-opting the culture of a historically oppressed minority.

All of which makes it surprising that there is a new crop of white reggae performers, eschewing the melanin-deficient basslines and embarrassing attempts at patois that have caught out their predecessors. These artists even market themselves not to the crossover market but to hardcore reggae fans – including those in Jamaica. Maybe, finally, there is white reggae that is more than a pale imitation of the real thing.

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Gutter on Night Dubbing

Did you know Imagination made a dub album? I didn’t until I found this. I can quite happily listen to a reggae dub album without having heard the original versions, though it does sometimes concern me that I’m not really appreciating the engineer’s art because I don’t know the original song. In pop terms, it would be like listening to The Human League’s “Love & Dancing” remix album without having ever heard “Dare”, which would be an insane thing to do, surely?

Yeah, I was always a huge fan of Love and Dancing (I put the Hard Times remix on my Fake It Til You Make It: 80s Dance Music In Dub mix that I did a few years back), much more so than Dare. I was always a version man!

But the Imagination dub record – which was before Love and Dancing – was a very big record for me, first time round. Back then everyone in Essex were big imagination fans (though admittedly few were also Cabaret Voltaire fans). But Night Dubbing, which I had on a shonky little tape, was something else and confused most people, though for me it was a direct link between this and the Scientist stuff I was beginning to access at that time. We used to pass round the box at lunch times at school, reading the tracks and marvelling at the idea that they could be so drastically remodelled. I remember when the trendies were going mad over the Peech Boys’ Don’t Make Me Wait a few years later and I kept on thinking “Have you actually heard Imagination?” Of course the big debate at the time was “Are they gay?” It was obvious that Leee John was but the hard man soul boys couldn’t leave it alone. The NF types were a different matter. I really liked the way that it was obviously derived from gay dance music while avoiding hi-nrg cliche, and the way that it looped around (without actually confronting) the heteronormativity of reggae. It made perfect sense in the context of electro and (just) pre-AIDS dance music. I don’t think it’s wrong to think of this record as a mountain rather than a mole hill – it was an explicit link in the chain of UK derivations of black American dance music that led onto the rave scene, in Essex at least, and the sheer intoxicating drugginess of Night Dubbing created the right climate. Dub is black psychedelia after all and this fits right in with Hendrix, though it was never quite extreme enough; too much reverb’ed piano, not enough low end or noise. Then again it was a HUGE fuck record for a couple of years. A bit of a landmark for me, this one, though not as much as African Dub Chapter 3 or 2×45.

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Woofah 2 is OUT

Been too busy with, well, stuff to actually announce this on the blog! It’s huge, it’s fat, it’s great – Woofah 2. Now 64 pages of ad-free niceness – which is the equivalent of 100+ pages of most magazines. Small pages, mind. Please buy direct from us at www.woofahmag.com. We make a lot more money that way and we have to sell a few hundred to be able to do the next one! HUGE thanks to everyone who made it possible, especially droid for spending three months designing it and John Eden for spending even longer organising it, but also the brilliant band of writers, photographers and illustrators who have been so generous with their talent. It’s a rush.

Now on to issue three… soon come and already PACKED with great interviews!

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