Tiny steps. (No, not that kind…)

Out there in the forums, people have been asking for “beginner stuff”. In particular, a lot of people are scared of the prospect of going into magic too fast, and are being advised they need to read an enormous amount of books before they can do anything safely. Well, obviously you need a certain amount of common sense and humility. But I’ve been doing magick for more than 20 years, and looking back, especially at the early days, I just didn’t get into trouble by getting on with it. Quite the reverse. I’m not saying, throw caution to the winds — quite the reverse. I would however draw an analogy with yoga. If you try to force yourself into full lotus when you’re a couch potato, you are likely to strain muscles and may need professional attention to feel comfortable again. If however you start with simple exercises, don’t push too hard, but practice regularly, you will rapidly, if not immediately, feel the benefits. And you won’t hurt yourself. Same with magic. Do it often, do it within your capabilities, do it safe, and you’ll be fine.

So get in there. Listen to your gut, be humble, and get used to distinguishing between feeling excitement, feeling a bit of fear, and KNOWING this is WRONG and I got to GET OUT OF HERE. (The latter is a particularly important feeling to be able to identify when working with others.) And bear in minf that magic doesn’t have to be about “getting something”. Magic’s an end in itself. Like meditation, or sex, or food. Or football.

Now, some suggestions of stuff to do to just start feeling it — I won’t comment too much, just take a look and see what grabs you:

1. the Auric egg meditation (terrible title, pr0bably deliberately so, but better than it sounds! Dead simple and safe)
2. Sensory enhancement exercises — good for anyone to do.
3. Genius loci stuff — for a better sense of place.

In addition, a lot of people like Grant Morrison’s pop magic. Even though it’s pretty results-oriented, rather than “stretch out and enjoy it” in style, it’s got solid advice and techniques in it. And I for one enjoy magickal materials written up as if they were a third-rate sales primer.

Just remember, be nice to yourself, don’t give yourself a hard time, and don’t take it too seriously. It’ll get freaky in its own time. You don’t have to objectively, definitively believe in any of it on a 24 hour a day, 52 weeks of the year basis — in fact it’s probably a very good idea if you don’t. Magick defends itself.

You’ll notice I haven’t listed any books to read. That can come later. Important though knowledge is, it’s more important to get on and do something, try something, and (without trying to do too much) find out something about yourself and the world around you. Try it, you’ll like it. And you don’t have to give up any materialist principles.

Happy?

On the discussion about philosophy and happiness over at glueboot — which I hasten to make clear I am NOT “slagging off”…

… I see the point glueboot and K-Punk are making. As Gen used to say, the only thing we know is that we die. I think that the experience of happiness can only be deepened by dealing with pain and suffering. Now, I don’t know much about philosophy, but from where I’m sitting, I think that the opposition between thinking and happiness posited by glueboot is a false one. In particular, such a position ignores the way you can resolve “extremely uncomfortable thoughts” without suppressing them and find a way of experiencing happiness.

It is, in short, too much head and not en0ugh heart. And — pace John Effay and Mark — I don’t buy, at least not yet, that “On one level, everything is thought, which would necessarily involve the heart as much as the brain.” I suppose this is something to do with emic reality, that all experience is mediated. Well, of course — that’s my line actually! The problem — as practitioners of magic and meditation and such discover — is that that the proposition doesn’t have ENOUGH levels. It still represents a flight from experience itself, from the smell of your own shit and the sensation of your lower back lengthening. It’s still about thinking with your head, not with your body, and not with your heart, and the reason that the discourse remains caught up in its own conceptual premises is because of a lack of technique. The obvious step from the realisation that all experience is a mirage, a construct, a work of art of one’s own making, is to figure out how to do it and what happens when you do. The results can be counter-intuitive. So far as I am aware, few if any western philosophers have made a really good go of this. In contrast, Plato and Pythagoras, for example, were in receipt of a possibly bastardised but indubitably ancient body of knowledge of this type, which informed (indeed intermingled with) their philosophy. The advent of Kapital reinforced the divorce between philosophic conceptual modelling and “esoteric” experimentation; I don’t know if they can be recombined, but I suspect they can fertilise each other.

So to return to glueboot, personally I wouldn’t really pay that much attention to a “miserablist” (my term!) philosopher unless I knew for certain they had a good practical grasp of yogic breathing and how to apply it in their everyday life. Of course, once such a hands on knowledge of the human OS has been demonstrated, then pessimist insight could be extremely interesting…

Come soon

What ARE tenterhooks?

Whatever they are, I’m on them.

Baby’s due today. Was. Possibly is. Could be days more — conceivably two weeks more, which would be a pain.

I haven’t done this before. When Felix was born, my wife got pre-eclampsia a few days early, and was induced, so we didn’t have to do the waiting thing. That panic was worse, but this interminable waiting is horrible.

Come soon. Please.

And may the powers within me and without me make everything OK.

Denunciations and fulminations

I’d just like to point out, with regard to the backbiting and denuncations going around at the moment, that we’re at that phase of the Dog Days when this sort of thing happens.

Chill and go with it people, normal service will be resumed soon.

Dance, dance, dance to the radio

You can find an archive of the On the Wire show where Steve Barker played Grievous Angel’s re-rub of Niney the Observer’s Blood and Fire here.

It’s very low res and so the quality isn’t all that but it’s OK — it’s the last of the jungle tracks (The Bug, Kid 606, Congo Natty… great company), at the front of the show, before tunes by Ijahman Levi and Tubby. Steve introduces the tracks at around the 36minute mark.

As you can imagine, my first play on the radio is a very proud moment for me :).

Shards, Fragments and Totems Charts

With all the talk about charts recently, here’s one you can trust: the July download charts for Grievous Angel!

1 Grievous Angel Vs Method: Man So High 262
2 John’s first reggae mix 177
3 The First Taste of Hope Is Fear: 153
Ambient Industrial 1980-1987
4 BreakBeat Mix May 2004 96
5 Grievous Angel Vs Niney: Blood & Fire 67
6 Grievous Angel Vs Primal Scream: 43
Come Together
7 Big Room Breakbeat 41
8 Grievous Angel Vs Tippa Irie 38
& Daddy Colonel: Tippa & Colonel Again
9 Grievous Angel & Buju Banton: Bad Man Dub 37
10 Abstract 2 Step Mix. 30

I’m not surprised Method Man comes out top: he seems to be one of the most-searched-for artists out there. I presume there’ll be a lot of hiphop heads getting confused by this strange broken garage stuff coming out of the speakers. Naturally I’m both pleased and irritated that so many people have discovered the beauty of John’s DJing via this site, in preference to my mixes! It’s curious that so many people are interested in industrialism — clearly this has been bubbling under, but is this meme about to collapse? I’m not surprised that twice as many people got the first breakbeat mix rather than the second (big room breakbeat); the second was probably more danceable, but the first had more of a reggae influence. In particular, a Renegade Soundwave track. Naturally, the Wire review means the Blood and Fire cut is the second most popular Grievous Angel track, but I’m particularly pleased that the Tippa Irie dancehall / hiphop track is also popular — I’d love a bit more feedback about that, I think it’s probably the best thing I’ve done. This track and the UK digidub-styled “Bad Man Dub” with Buju Banton are topping the list so far for August. And it’s great to see so many people still interested in old skool UKG — heep the faith!

Bubbling under are Grievous Angel cut ups of old reggae tunes (the source material was mostly culled from John Eden mix CDs, spotters — incestuous, moi?). I hope all ten of you will stand by for the new mix of Scotty’s Watch this Sound, which is a bit sharper and now has a serious bassline.

Great to be back after blowing my bandwidth quota in the last couple of days of July — never thought that would happen! Now, when do the Dog Days finish again? I expect everything will quieten down then…

DigiDub pressure!

After you’ve checked out the “Tippa and Colonel Again” track below, you might want to relax by listening to this.

Before I got going with the Tippa tune, I was trying to do a ragga-techno track (if you’re wondering what that’s like, there’ll be a couple on the new home page soon) but I got bored. Instead I headed off in a UK Digidub direction. The vocal cut-ups are from an acapella of a Buju Banton track featuring some rappers, but I’m not sure which ones — the file turned up with no info. I’d be interested to know what track it is.

Anyway, this is a pretty neat little cut which lyrically tries to navigate the gun talk / consciousness divide; instrumentally we’re talking crisp percussion echoes, Iration-style liquid bass and a few odd gobs of noise. I like it. See what you think.

Grievous Angel And Buju Banton: Bad Man Dub
5:15
7.3Mb MP3.

Dancehall pressure!

Coughing Up Fire stars in action
There’s never been a more exciting reggae scene than eighties UK dancehall. The sheer exuberant joy of the records and yard tapes from the era can’t be beaten. I’ve already done a mix of hits from that era, combined together with a load of ragga jungle from Rebel MC and others, on my “Tribute to Congo Natty” mix which is over on Marc Dauncey’s Bassnation site.

Now I’ve gone a step further. Back in March I reviewed the fantastic “Coughing Up Fire” CD, which showcases a 1984 set from Saxon International featuring the cream of Brit MCs – and it’s fabulous, every reggae fan should have it. A million thanks to John Eden for getting me that! In that set there’s a multitude of gems to enjoy, but I selected the explosive contribution of Tippa Irie and Daddy Colonel for the Grievous Angel make-over treatment.

Rather than do the usual trick of ripping the arse out of it with jungle – delightful though that exercise is – this time I’ve gone into homage mode, sticking to reggae speed and showcasing the vocal. The original is virtually an accapella and I’ve simply added some thumping dancehall / hiphop crossover drums and a solid UK digidub bassline. The result is an explosive floor-bound sound lending the genius of Tippa and Colonel the arsenal of beats required to destroy dances today just as they did twenty years ago. Here it is.

Grievous Angel Vs Tippa Irie and Daddy Colonel: Tippa and Colonel Again
4:01
5.6Mb mp3

Sadly I don’t know much about Tippa Irie or Daddy Colonel other than just being a general fan. But Tippa was one of the stars of Saxon, and helped originate “fast-talking” style chat. He scored some big hits, with Pato Banton and others, including the great “Hello Darling”, “Raggamuffin Girl” (featuring Peter Hunnigale), and “Stress” (featuring Lloyd Brown). Fans of three-sided football should note he also recorded “Shouting for the Gunners”, an Arsenal fan song which reached the Top 30.

Best of all he’s still working and recording today. Check his site.
Tippa in action today
There’s a great interview here.

Daddy Colonel I know even less about. He and Tippa did a record on UK Bubblers / Greensleves called Just a Speak at the same time as the “Coughing Up Fire!” recording. I suspect it’s this track that they’re doing on CD, and which I’ve turned into this tune, cos the crowd seem to know it well, but I’m not sure. There’s a label scan here.

Show respect (and do yourself a favour): buy the original album off the Greensleeves site.

Nervous Ragga.

While doing some tidying up I decided to re-post the Nervous Ragga mix track listing and location.

Originally released as a CD it’s now happily esconced at Marc Dauncey’s excellent Bassnation site, where apparently it’s been fairly popular. You can find it, in zipped form, here.

Here’s the original posting and track listing for it.

It’s called Nervous Ragga cos that’s the vibe. These tracks don’t make me feel all relaxed and chilled out. No, they make me feel nervous, hyped up, excited. This CD is propulsive, muscular, but constantly in spasm. Like deep funk, the grooves are densely packed, clenched, yet also like funk, the release comes from the vocals, alternately sweeping and stuttering but always hovering at the furthest edge of the beat’s swing.

The first rhythm, The Flip, eases you in. But the Threat rhythm that follows it, just hurls itself at you, all rave pianos and tubthumper bass. I tried to get a lot of call-and-response between male and female vocals on theis CD and this theme starts here. A recurring theme in the mix comes in here. The Highway rhythm is faster but gentler, but it’s very wiggly. It raoidly turns into a pounding ragga take on R&D on money with sweet female choruses being slammed into Lady Saw’s ruffness. She shouts us into Tanya Stephens’ Strange, over my favourite rhythm ever, Hard Drive. It sounds like world war three going off in a sound system, just vast gobs of massive bass and booming toms. I love it. Lots of cutting on this one, and a really nice mix of Lady Saw’s In Your Face Again and Cecile’s Backstrett Kettle at the end. The last rhythm, Bollywood, is a ragga version of throbbing p-funk. Despite recent criticism Sizzla is in top form on this rhythm. with a bit of politics at the end.

If you’re interested you can get an mp3 of Nervous Ragga at Marc Dauncey’s excellent Bassnataion site at http://www.bassnation.uk.net/sound/nervousragga.mp3. Many thanks to Marc for hosting this — if you want it you’d probably get it sooner rather than later cos who knows how long Marc will be able to keep it up. As it were.

Here’s the tracklisting.

The Flip

1 Ward 21 Style
2 Madd Cobra Bring It On
3 Kiprich Nah Waste Time
4 Tafari & Ava Monet Round And Round
5 Tok Girlz Girlz Girlz
6 Mr Vegas Gi Dem Wine

Threat

7 Tok Where I¹m From
8 Redrat Wine Your Waist
9 Sizzla Doin It Right
10 Kiprich Pickaside
11 Redrat Wine Reprise
12 Lukie D Woman With Shape
13 Shaddu Fi Real

Highway

14 Ward21 Reverse
15 Risto Benjie Right Now
16 Danny English Hang Dem
17 Lady G & Cutlass Chop It Suh
18 Chuck Fender & Fiona Money
19 Mr Vegas & Cecile Get Yuh Tonight
20 Lady Saw Follow Me

Hard Drive

21 Tanya Stephens Too Strange
22 Lukie De & Lexxus Hot Like Fire
23 Harry Toddler Doom
24 Action Check Fa
25 Alozade Ghetto
26 Sean Paul & Dutty Cup Crew Dutty Cup
27 Hollow Point Got You Deh
28 Famous Face & Tornado Jamaica
29 Lady Saw In Your Face Again
30 Cecile & Tanya Stephens Buss Back Skettel

Bollywood

31 Sizzla Heat Is On
32 Tanya Stephens Addiction
33 Determine More Fire
34 Frisco Kid More Marijuana
35 Captain Barkey Buss A Shot
36 Ward 21 Roll Up
37 Future Troubles Drunken Master
38 Wickerman Come Out
39 Elephant Man In The Streets Mega Mix
40 Mr Vegas War

New homepage.

I finally have a working home page for the site. It is almost, but not quite, as minimal as woebotnik. However, it collects together most of the Grievous Angel tracks and DJ mixes.