deeptime
The set was blindingly good: 9 decomposing, dubbing and combining pieces of old and new material on the fly from a laptop patched through effects and a mixing desk, while a kinetic Space Ape (looser and an octave higher than I’m used to hearing him) took total command of the stage. There was and energy and fluidity about the performance that is utterly foreign to dubstep most of the time.
Paul Nomos on fire after going on a demanding pilgrimage of dubstep redemption.
[Shards Fragments and Totems]